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A collection of experimental music photography featuring Tagima and Fender guitars and bass, rendered through a heavy double-exposure technique that layers saturated instrument silhouettes against digital glitch textures. The images are finished with a raw, grainy "dirt" aesthetic, combining analog film grain, chromatic aberration, and scanline distortion to create a heavy, visual "noise" that reflects the sonic quality of the instruments. The final composition carries a distorted, lo-fi, and atmospheric feel, perfect for underground music artwork and album covers.

A collection of experimental music photography featuring Tagima and Fender guitars and bass, rendered through a heavy double-exposure technique that layers saturated instrument silhouettes against digital glitch textures. The images are finished with a raw, grainy

Format JPG 4000X6000

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Appareil photo

  • Marque : NIKON CORPORATION
  • Modèle : NIKON D5300
  • Exposition : 1/8
  • Ouverture : 1.8
  • Focale : 50.0
  • ISO : 140